This is one of the first director's commentaries ever made... we did it for a laser disc, before anyone heard of DVD's. Susie, Larry and Andy Wachowski, and film editor Zak talk about how this movie ...

This is one of the first director's commentaries ever made... we did it for a laser disc, before anyone heard of DVD's. Susie, Larry and Andy Wachowski, and film editor Zak talk about how this movie ...

This is a scene from "The Celluloid Closet," where I analyzed-- and cried a little-- about about why Lillian Hellman's story, about two schoolteachers falsely accused of lesbianism, was so overwhelmin...

The director, Monika Treut, was fascinated when I told her that burlesque stars with a big chest could work well into their 50s or 60s, because their breasts were such an enduring appeal. She asked me...

This was the scene in the last season where we all bid fairwell to a dear friend. We were supposed to smoke (harsh non-pot herbal mixture) from a bong and then burst into glorious song. Take after tak...

When the Wachoswkis first asked me to play a cameo in their new movie, I said yes... and then I asked if I could bring all my San Franciso friends so the scene wouldn't be defeated by L-word baloney. ...

A German/American coproduction, directed by Monika Treut, in which Susie takes a innocent lass from Hamburg and explains to her that the possibilities are wide open. More info at: http://firstrunfea...

Susie Bright and Lizzie Borden wrote this story as part of a four-part Hollywood feature called "Erotique." This is the opening scene where we see "Rosie's" double life. More info: http://www.amazon.c...

This is my dad! -- Susie Bright's father, Bill Bright's welcome speech, in Karuk and English, at Karuk Tribal Council Meeting at Happy Camp in 2004. Bill lived from 1928 - 2006. He first learned the...